SHAUN DALE FOR WWW.JAZZREVIEW.COM
Pablo Ablanedo is an Argentinian pianist and composer, currently
based in Boston, with a debut album on a Spanish label leading an
octet composed of men and women form Argentina, Venezuela, Israel
and Brooklyn. The result is as strikingly original as the origin
is dramatically diverse.
Ablanedo's training in his native Argentina included combined jazz,
classical and Argentinian folk styles. He came to the US in 1993
to study at Berklee, where he graduated from the Jazz Composition
program in 1996, with the John Dankworth Award in Jazz Composition
among his honors.
He has remained in the Boston area, teaching, studying and performing
largely in the Boston and New York areas. The Octet is regularly
featured on the stages of the Knitting Factory and the C Note. This
recording should help extend the group's reach to a broader audience,
which they certainly deserve.
There's a discernible Latin American flavor to much of the music
here, but it's not the tango rhythm that's most commonly heard in
Argentinian music. Ablanedo draws on folk forms, such as chacarera
and zamba, which are less commonly heard, but which are highly adaptable
to his blending of influences ranging from Igor Stravinsky to Bill
Evans. Composing for the Octet gives him access to a wider range
of voices than most jazz composers utilize today, and he uses them
to brilliant effect both individually and in a variety of innovative
combinations. Ablanedo composed all the material here except Billy
Strayhorn's "U.M.M.G.," which receives an original arrangement
built around an Anat Cohen saxophone solo.
Too inside to be labeled truly avant garde, but invariably original
nonetheless, From Down There introduces both one of our most inventive
young jazz composers and one of the most innovative contemporary
ensembles. It's music you need to know.
Shaun Dale
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