From Down There

CD Title:
From Down There

Featured Artist:
Pablo Ablanedo Octet

Record Label:
Fresh Sound Records FSNT 109CD




 

 

 

 

 

 

 

 

 

 

 

 

Tracklisting:

  1. From Down There (P. Ablanedo)
  2. Para Dejar (P. Ablanedo)
  3. El Acecho (P. Ablanedo)
  4. Dreaming (P. Ablanedo)
  5. La Viajera (P. Ablanedo)
  6. Claroscuro (P. Ablanedo)
  7. U.M.M.G. (B. Strayhorn)
  8. Chacarera De La Esperanza (P. Ablanedo)
  9. Dreaming (a cappella) (P. Ablanedo)

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Produced by:
Frederik Rubens

Executive Producer:
Jordi Pujol

Recorded by:
Frederik Rubens and Ross Petersen
at Avatar Studios NY, August 2000.

"Dreaming" (a capella) recorded
at PBS Westwood, MA by Peter Kontrimas.

Mastered by:
Jonathan Wyner at M-Works, Cambridge, MA.

Year:
2001

Time:
56:20

PERFORMERS:

  • Jenny Scheinmann
    (violin),
  • Avishai Cohen
    (trumpet),
  • Anat Cohen
    (saxophones, clarinet),
  • Jerome Sabbagh
    (saxophones),
  • Juancho Herrera
    (electric guitar),
  • Pablo Ablanedo
    (piano),
  • Fernando Huergo
    (acoustic & electric bass)
  • Franco Pinna
    (drums & bombo leguero)
  • Julio Santillan
    (acoustic guitar)
  • Katie Viqueira
    (voice)


 

 

 

 

 

 

 

REVIEWS

Glenn Astarita,
All About Jazz (US)

Shaun Dale,
Jazz Review (US)

Mwanji Ezana,
CitizenJazz (France)

Peter La Barbera,
The Jazz Zine (US)

José Carlos Santos,
Jazz Portugal (Portugal)

MOONLIGHT JAZZ NOVITA' (Italy)

Frank Bongers,
Jazz Dimentions (Germany)

Danilo Navas,
L atin Jazz Network Magazine (Canada)

Fred Bouchard,
Down Beat Magazine (US)

Bob Young,
Boston Herald (USA)

Jon Garelick,
Boston Phoenix (US)

Katie DeBonville,
Northeastern Performer (US)

Claude Colpaert,
Jazz Hot Magazine (France)

José Luis Salinas
uadernos de Jazz (Spain)

Beto Hale,
Músico Pro (US)


Bill Bernardi (February 2002)
52ndstreet.com (USA)

Latin Beat (USA)

 

 

SHAUN DALE FOR WWW.JAZZREVIEW.COM

Pablo Ablanedo is an Argentinian pianist and composer, currently based in Boston, with a debut album on a Spanish label leading an octet composed of men and women form Argentina, Venezuela, Israel and Brooklyn. The result is as strikingly original as the origin is dramatically diverse.

Ablanedo's training in his native Argentina included combined jazz, classical and Argentinian folk styles. He came to the US in 1993 to study at Berklee, where he graduated from the Jazz Composition program in 1996, with the John Dankworth Award in Jazz Composition among his honors.

He has remained in the Boston area, teaching, studying and performing largely in the Boston and New York areas. The Octet is regularly featured on the stages of the Knitting Factory and the C Note. This recording should help extend the group's reach to a broader audience, which they certainly deserve.

There's a discernible Latin American flavor to much of the music here, but it's not the tango rhythm that's most commonly heard in Argentinian music. Ablanedo draws on folk forms, such as chacarera and zamba, which are less commonly heard, but which are highly adaptable to his blending of influences ranging from Igor Stravinsky to Bill Evans. Composing for the Octet gives him access to a wider range of voices than most jazz composers utilize today, and he uses them to brilliant effect both individually and in a variety of innovative combinations. Ablanedo composed all the material here except Billy Strayhorn's "U.M.M.G.," which receives an original arrangement built around an Anat Cohen saxophone solo.

Too inside to be labeled truly avant garde, but invariably original nonetheless, From Down There introduces both one of our most inventive young jazz composers and one of the most innovative contemporary ensembles. It's music you need to know.

Shaun Dale